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Ben Newman HALLOWEEN Special

halloween-band Ben Newman HALLOWEEN Special

In the spirit of Halloween, Ben Newman has allowed us to re-publish an interview we did with him in the autumn of 2009. Below you’ll find Ben’s musings on monsters and embarrassing costumes. Enjoy!

Think of the scariest monster possible…. What does it look like?

I decided to talk to my friend and Bento Bestiary collaborator, Scott James Donaldson, about just how scary the scariest monster would be and this is the most terrifying thing we could think of. Seasoned with a healthy dose of Scott’s wizardry words and starting from the feet up this hideous beast looks as follows; A foot comes into focus. But something is wrong. The toes are backward. Twisted. Dirty. Try the other foot. This is worse. A pigeon’s stub-leg replaces a conventional human foot. Urgh. Above, skin-slit legs expose shiny shins, leading upward, to a pair of incredibly overdeveloped thighs. These behemoths collide betwixt a miniscule pair of damp, flannel swimming under-trunks.

The flaccid upper torso is comprised solely of reclaimed cows udders, stitched together with bass-guitar strings and rosebushes. Flanking this nightmare, a pair of Tyrannosaurus Rex arms, incapable of a firm handshake. Perching astride two rugged shoulders, we are greeted with a terrible visage. Twin crystal meth diamonds scowl in our direction. An enormous, warty beak honks at us, revealing a lone, rotten peg-tooth.

This unlucky dip of features nestles beneath a blanketed veil of silken, wonderful, candyfloss hair. Its crowning glory: a 1980’s vintage black and white yin/yang bandana, blazing proudly across its clammy forehead. He has, on several occasions, been mistaken for acting powerhouse, Steven Segal.

Monsters seem to be a running theme in your work, is there a reason for this?

Since I was a child, I’ve found monsters to be endlessly fascinating and I think this because of the unhealthy amount of cartoons and comic books I watched/read. I’ve always found myself more aesthetically drawn to the villains because they appear as an imperfection of the hero, similar to looking in a circus mirror. You can cover them in hair, enlarge their brains, sharpen their claws, cross their eyes and I don’t think I could get bored of making them look as stupid or as terrifying as possible.

mrfishdude-bentobestiary1 Ben Newman HALLOWEEN Special

Tell us something scary

When I was nine, I was told that someone once went to eat a Topic chocolate bar and when they took the first bite it was really crunchy. Curiously, they looked down and saw a bloody, severed mouse’s head nested in the chocolaty fruit and nut centre. I believed this story for so long that I didn’t eat a Topic bar until my twenties, turns out their pretty good and now I buy them when I’m feeling dangerous.

What are you dressing up as this Halloween?

I own an all in one Spiderman suit from Hong Kong so it acts as my default fancy dress costume when I don’t have time to be very imaginative at Halloween. The problem I have with the costume is that once zipped up it pulls the lycra very tightly over the crotch, leaving very little to the imagination. The sight of my shiny, vacuum packed, lycra covered nether regions offend my Dad so much that he draped an apron over my neck to cover up my indecency. As you can tell it’s a very scary costume so I’ll probably be dressing up in that again this year, if not then I’ll dress up as the monster described above.

Trick or Treat?

I’d have to go for trick as I’ve usually eaten all the sweets by the time someone knocks at the door.

 

JAMES DAWE for NET-A-PORTER

james-dawe-fashion JAMES DAWE for NET-A-PORTER

The lovely people at Net-a-Porter recently commissioned James Dawe to design an artwork for their website, illustrating their upcoming Autumn collection. Here we can see influences and designs from the likes of Gucci, Marc Jacobs and Isabel Marant. In the article, US editor Tracey Taylor shares her life in fashion from the Big Apple. See more of James’ inspiring work here
 

HVASS & HANNIBAL - NOTCH ‘11

img_0525 HVASS & HANNIBAL - NOTCH 11

Hvass & Hannibal have returned from their trip to Beijing, after 10 days of working on an installation for NOTCH Festival 2011. NOTCH is an annual event in China showcasing Nordic and Chinese artists and designers. This year’s theme for the festival was Feedback, and all the artists used recycled materials found in the hutong area where the factory and exhibition space is situated. Sofie and Nan Na collaborated with a local Chinese designer called Been, and their work consisted of 4 large weaving frames hanging from the ceiling. In between the cotton strings the girls wove pieces of colourful paper from used cigarette boxes. Hvass & Hannibal’s portfolio can be seen here

 

IC4DESIGN - YOROKOBU MAGAZINE

yorokobu_ic4design02 IC4DESIGN - YOROKOBU MAGAZINE

IC4DESIGN are amazing. Along with their fabulously stylish mohawk and beret, the duo hold up their article in the latest edition of Yorokobu magazine - a Spanish graphic arts publication. The interview features all sorts of goodness about their microworlds, influences, philosophies and plans for the future. Spanish readers can click here

 

Kyoko Hamada - Letter to Fukushima

screen-shot-2011-10-14-at-122350 Kyoko Hamada - Letter to Fukushima

In August, The New Yorker commissioned Kyoko Hamada to photograph the disaster area of Fukushima, Japan. Hamada was a natural choice: her photographs are quiet and refined; her composition deliberate and clean. She captured the eerie feeling that permeated the towns she visited in Fukushima, and was able to accomplish the most difficult task of photographing what wasn’t there, or wasn’t necessarily visual: the immeasurable loss of life and livelihoods, and the looming threat of the nuclear fallout. Please read Kyoko’s heartfelt Letter to Fukushima

 

Andrew Holder + Paul Bower for Google

google-final-low Andrew Holder + Paul Bower for Google

Andrew Holder and Paul Bower were commissioned by our friends at DHM London to create illustrations for Google’s “The Book of 4x”. The idea was to translate and dramatise facts for the branded book, to be sent out to media buyer clients and industry professionals. The book is based on the fact that the Google display network offers 4x the click-through rate compared to the industry standard. Andrew’s brief was to depict how “human bones are four times stronger than concrete.” True to form, Paul was asked to show how “women are more than four times more likely to suffer from an overactive bladder than men.” Both works are absolutely spot on, and have very well received by the agency and client alike.

main-w-bleedlow Andrew Holder + Paul Bower for Google

 

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