Yamanote
Iñigo Asis’s photographs, taken on Tokyo’s circle line, exploit the sense of ‘curtains opening’, when the unsuspecting passengers momentarily confront the waiting photographer. More than a study in urban existentialism, this is also a sociological document; a subterranean investigation into the modes of appearance and the behaviour of Japanese salary men in the most routinely awkward and uncomfortable social conditions.
You need to upgrade your Flash Player
This is replaced by a flash flipbook showing some examples of the pages of this book. Get Flash here and then try this page again.




