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Day By Day
Ori Gersht (b. 1967, Israel) graduated from the University of Westminster in 1992 and later acquired a master degree from The Royal College of Art. He has exhibited extensively in Europe and the US. Current exhibitions include a solo show at Tate Britain in the Art Now Space and a large show at Tel Aviv Museum, both shows are accompanied by a monograph of his work, which will be published in May 2002. Tracey Ferguson (b. 1966, Scotland) trained at Glasgow School of Art, Chelsea School of Art and The Royal College of Art for an MA in curating.
One chair, two lights, a tripod and a camera in the same corner of the house for three years. After waking each morning and breathing in the day, artists Ori Gersht and Tracey Ferguson would embark on their daily ritual: to take a single portrait of each other. From this formal and isolating composition a moving and empathetic all-visual chronicle of their relationship emerged documenting the last years of their emotional journey together. Day by Day presents the reality of the highly emotive and personal struggle to keep the relationship alive. Each image captures something different: each pair of eyes conveying something too powerful to write. A flicker of doubt; an erupting fear; a stare of resolve, all bound together by a sheer determination to love. This daily ceremonial love project shows their wish to come to terms with the march of time. Form the epilogue
One chair, two lights, a tripod and a camera in the same corner of the house for three years. After waking each morning and breathing in the day, artists Ori Gersht and Tracey Ferguson would embark on their daily ritual: to take a single portrait of each other. From this formal and isolating composition a moving and empathetic all-visual chronicle of their relationship emerged documenting the last years of their emotional journey together. Day by Day presents the reality of the highly emotive and personal struggle to keep the relationship alive. Each image captures something different: each pair of eyes conveying something too powerful to write. A flicker of doubt; an erupting fear; a stare of resolve, all bound together by a sheer determination to love. This daily ceremonial love project shows their wish to come to terms with the march of time. Form the epilogue
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